Sweetwater 420 Festival.

COVER ALERT: we got some good'ns

beer

The annual festival on Earth Day weekend, or April 20th or 420 if that's your thing- put on by our beloved Sweetwater Brewery, has become something I look forward to every year.  This year I was especially excited for Papa Grows Funk- a Nola standard that's anything but standard, Anders Osborne- swiss born rocker that also calls the Big Easy home, and a new favorite- also from Nola, Honey Island Swamp Band.  Now, understand that none of these artists were headliners.  All three played to smaller crowds on a smaller stage during the middle of the afternoon.  Perfection.. I wouldn't have it any other way.

Also joining the party as headliners, and not anything to be missed: Friday- George Clinton and Parliament Funkadelic, Saturday- Black Joe Lewis & the Honeybears and to close out the weekend on Sunday- Robert Randolph & the Family Band.  Sweetwater knows how to throw a party that's for sure!

Day 1:   Festivities began on a cloudy, the sky's about to crash down kind of Friday.  So, the crowds were thin.  We enjoyed the no beer/portopotty lines while we could.  We knew Saturday was supposed to be beautiful.  Showing up to the funky improv set from another Nola band Earphunk, I was presently surprised.  They were killing it.  The lead guitarist came to be known as white Hendrix(he was wearing a Jimi shirt.)  They had the small crowd rocking with original tunes and some covers. Their sound is a bit like the New Mastersounds, Galactic etc. Funky rocking tunes that make you want to shake your hips and headbang at the same time. Many people were doing just that.  They closed their set with 2 covers that left the crowd wanting more. A quick raunchy version of Dire Straits' "Money for Nothing" & David Bowie's "Fame." Pretty sure they gained a whole set of fans that day.  That sent us over the hill to the second stage to see Papa Grows Funk.

Papa Grows has been around since 2000.  Go hang out on historic Frenchmen Street in New Orleans for a week or two, and you're bound to see them blowing the doors off some place.  Frequenting the Maple Leaf, Tipitina's and the Howlin Wolf and all across the country.  You can tell these guys love what they do.  You can tell they're proud of their music and the city they come from.  If you havent figured it out the city of New Orleans evokes and produces wondrous music that I've come to love more and more since the first time I visited.  Big ol' guy on keys(Papa), a heart thumping bass, blistering saxaphone, the ever important drums and an asian guy (June Yamagishi) on lead guitar that will leave you perplexed.  With songs like Pass It! and Stanky  these guys keep on funking the hell outta wherever they're invited. We were five feet from the edge of the stage and absolutely lovin' it. Who doesn't like a mid afternoon funk session? With cold Sweetwater broos? Yes please.  They covered The Meters' (another Nola funk staple) "Ain't No Use."  I was having a blast.  Kudos on a great set guys ATL loves ya'll. (football rivalries aside) (RISE UP)

On to the next one.  Oh yea, George Clinton and his gaggle of a band are tuning up.  If you've never seen a Parliament show get to it.  It's a helluva good time.  A P-Funk show is like an urban circus.  There's people hanging from the rafters and coming out of nowhere.  And they rock.  Maybe we were far from the stage but it looked like there were 25 people up there.  Among the calamity was a tall skinny man in a white fur suit.  White fur hat and boots and all, no instrument, solely on stage for entertainment.  I think this man was having as much fun as ANY festival goer. They played "Red Hot Mama" a song made one of my favorites by Widespread Panic, originally recorded by Parliament in '74.   The crowd was loving it.  They also played a funky good "Up for the Downstroke"  & of course another song that WSP covers, Maggot Brain.  George is getting up in years and I'm sure their shows back in the day were legendary.  It's awesome he's still kicking after all these years on the Mothership.

Anders melting faces

Day 2:  This is the show I was waiting for.  Anders. Small Stage. Right up front. 'Nuff said.  Clearly the beautiful weather opened the flood gates and Saturday was PACKED.  Had to wait in line for 25 minutes.  Someone said, "you know you can go right in if you don't want a wristband."    "No thanks I'll be drinking many many beers today."  I heard Anders start his set and started to get antsy.  No worries, we got in and I made a B Line to the front.  Saw my buddy Tyler whip his head around looking for us.  We had a solid crew of about 8-10 friends right up front. 'Laissez les bons temps rouler' as they like to say in Nola.  The first time I saw Anders was at Warren Haynes' Christmas Jam.  Instant huge fan at that show which was a once in a lifer--  Anders played an hour and a half set with Warren's bassist and drumz.  So awesome.  As expected Anders & co. freakin' delivered.  He lead us through a blazing set full of raw blues and rock n' roll that rocks you right down to your soul.  His solos are just nuts.  Kinda like Anders, you never know what he's going to do next.  I know he's had drug issues in the past, and I'm pretty sure he's sober now but, unlike many artists, sobriety doesn't affect his music.  He's on fire.  But his solo, just unreal. Raw is the perfect word for it.  I found out he rocks an open tuning set up. He said in an interview "Stuff ringin' all the time, just very sonicly pleasing to me."  His bassist had mid-back length brown hair and a Marlboro 100 just a hangin'.  They really fed off each other. It was awesome.  I couldn't get enough.  And the drummer was a black dude with dark sunglasses that had so much enthusiasm.  He beat those drums to death!  Their energy was just unmatched.  Crazy that three dudes on a small stage can put on such a good show.  I like them even more now than when I saw them in Asheville a few months back.  They played "Ya-Ya" a feel good Anders original we also heard in Asheville.  They covered "Knockin' on Heaven's Door." Perfect. Relevant to my life. They played an Anders original, "Black Tar."  Fortunately I've never been involved with that.  But, shockingly, also relevant in my life.  I had a friend overdose recently, and THANK GOD, I was in the right place at the right time and brought him to the hospital and saved his life. If he reads this, Love you man! Anyway, I remain a HUGE Anders fan and will continue to see his shows whenever possible.  Thanks for a great set guys!

Day 3: Never miss a Sunday show!

We show up mid afternoon. Honey Island Swamp Band is one song into their set.  No line today. Gotta love Sundays at a festival.  We pursue the stage and make our way to the same spot we've been all weekend.  I only recently found out about this band and was extremely excited to see them.  Their style was unique from all the other Nola bands of this weekend.  They play slide-blues and swamp rock.  They use anything and everything as instruments.  The old country saloon style of keys just keeps the tunes rocking along.  We really loved the vibe they put off.  Great musicianship.  Great solos.  A lot of their lyrics seem to come from or are influenced by scripture.  Major cool.  Imagine the Allman Brothers if they were from New Orleans instead of Macon, GA. Slide riffs like these would make Duane turn over in his grave. (in a good way)  Check out Prodigal Son and you'll quickly see what I'm talking about.  These guys kill it.  I really hope they continue making albums. HUGE fan.

Robert Randolph and the Family Band had the stage to close out the awesome weekend.  I've seen them in multiple states (all in the south) They always put on a great show.  Randolph plays the pedal steel.  He learned to play growing up in church.  From Wikipedia: "The instrument is referred to in many African-American Pentecostal churches as Sacred Steel."  He can play the sacred steel all he wants.  He's incredible.

Robert & all the ladies 

As is customary for a RRTFB show, Robert invites the beautiful ladies from the audience up  onto stage for a little dancin'.  If you've never witnessed this, it's quite a site. Roberts starts picking a nasty rockin' blues riff.  Someone says "ZZ Top?" "Close! Shake Your Hips by Slim Harpo- covered by  the Rolling Stones."  Picture this: 50+ ladies jumping around stage while Robert and The Family shred through a song written nearly 50 years ago.  It makes for a great time.  I'll always be happy to see a RRTFB show.

HUGE thanks go out to all those hands that make weekends like this possible. We enjoy it more than ya'll will ever know.  Big thanks to Sweetwater, just another reason they remain my favorite brewery.  #HOMETEAM  See ya'll next year in Candler Park!

Written by: Tyler Addison Davis